Free ↠ Rolling Blackouts: Dispatches from Turkey, Syria, and Iraq By Sarah Glidden – Submitsites.info

Free ↠ Rolling Blackouts: Dispatches from Turkey, Syria, and Iraq By Sarah Glidden – Submitsites.info When I think of comics journalism, I think of Joe Sacco Incisive, self deprecating, personal, honest about his limitations No romanticizing the places, the people, respectful of sources as appropriate Rolling Blackouts is new generation comics journalism, but with similar characteristics Glidden is not a journalist, or wasn t, really, but she went along for the ride with some young journalist friends, Sarah, Alex, Jessica and Dan, an Iraq war vet who had just formed their own collective to When I think of comics journalism, I think of Joe Sacco Incisive, self deprecating, personal, honest about his limitations No romanticizing the places, the people, respectful of sources as appropriate Rolling Blackouts is new generation comics journalism, but with similar characteristics Glidden is not a journalist, or wasn t, really, but she went along for the ride with some young journalist friends, Sarah, Alex, Jessica and Dan, an Iraq war vet who had just formed their own collective to do journalism about unheard stories not reported in mainstream media They spent two months in Turkey, Syria, and Iraq and published several stories out of their experience But this book is not a collection of their greatest hits it s a comic by Gladden, and mainly a book about the nature of journalism, what it is, issues of ethics and representation, strengths and limitations And committed, outsider or non mainstream work that we don t hear from the Big News outlets, th importance of that Early on it Glidden s tale of the journey has this Mickey Rooney Judy Garland let s put on a play, we can do this feel to it, but they do manage to do what some great stuff together in dangerous territory, sometimes These are nice people, talking mainly to nice people, getting their stories, people who have been and are deeply affected by the war, of course.Glidden has an inviting and warm watercolor approach, drawing from hours and hours of taped interviews and observations of the team It s pretty long, 298 pages, a gorgeous artifact, with some pretty memorable stories, but it s mainly about the basics of journalism two months abroad, trying to do some good in the world, inspiring others to do similar things, a diy approach Stories of refugees matter, stories of every day people matter In a way it s a model for others What could I do in the world and how could I pull it off trying to think of someway to word how important this book has touched me without immediately erasing, then re typing, then erasing, because these emotions are too raw for me to convey in such a form I was pretty lukewarm on Sarah Glidden s last book, How to Understand Israel in 60 Days or Less, so I wasn t expecting too much from this one I m happy to report that it exceeded my expectations dramatically In Rolling Blackouts, some independent journalist friends of Glidden head to Iraq and Syria to report on the post Iraq War situation in those countries, particularly as it concerns refugees Glidden comes along to report on their reporting, and this book is the result It s very valuable b I was pretty lukewarm on Sarah Glidden s last book, How to Understand Israel in 60 Days or Less, so I wasn t expecting too much from this one I m happy to report that it exceeded my expectations dramatically In Rolling Blackouts, some independent journalist friends of Glidden head to Iraq and Syria to report on the post Iraq War situation in those countries, particularly as it concerns refugees Glidden comes along to report on their reporting, and this book is the result It s very valuable both as a snapshot of what parts of Iraq and Syria looked like at this time around 2010, if I m not mistaken and as an examination of what it takes to be a journalist in this day and age How do you report on stories truthfully yet still figure out how to spin them so news outlets will pay for them and people will pay attention How do you keep your own expectations from coloring your work If your expectations do end up coloring your work, as sometimes seems inevitable, how do you account for that Also along on this trip is a childhood friend of the journalists, an American veteran of the Iraq War making a return trip to see what the fallout positive and negative of the conflict has been The plan is for the veteran s return to become its own story, but of course he s also having a personal experience, and this circumstance adds quite a bit of tension to the narrative.The topics Rolling Blackouts covers are vitally important, but fortunately the book also manages to be highly readable, so much so that I considered canceling my plans for Saturday night and finishing this book instead I still kind of wish I had If you re looking to become better informed about global affairs but aren t sure where to start, I highly recommend comics They don t trivialize their subjects far from it, in my experience but the visual element means the information gets an extra foothold in your brain, and given how much there is to know, this can only be a good thing As Glidden notes at the end of this book, the situation in Syria has changed significantly since they visited, and the evolving story is one we should all be paying attention to, yet the audience for such reporting tends to be despairingly small I m grateful to Glidden and her friends for trying to change that and for finding such an effective way to do it I made it to 104 pages before I decided to DNF this.While I appreciated what this book was is trying to do, it is an absolute snore fest or at least the parts till I read were There were certain moments understated and powerful in their subtlety but the presence of the ex soldier who compared his time in the military as a time spent with friends having fun took away all and any reason I had to read this Actual people died, the majority of whom the Americans killed, in the Iraqi war and this I made it to 104 pages before I decided to DNF this.While I appreciated what this book was is trying to do, it is an absolute snore fest or at least the parts till I read were There were certain moments understated and powerful in their subtlety but the presence of the ex soldier who compared his time in the military as a time spent with friends having fun took away all and any reason I had to read this Actual people died, the majority of whom the Americans killed, in the Iraqi war and this ex soldier is telling us it was fun times There was almost no actual engagement with people who were affected by the war at least not to the point I read This isof a behind the scenes look into the kind of journalism offered by the subjects of this travel memoir than what I expected it to be Oh well Follows Glidden s journey with journalist friends of hers to the Middle East It s fascinating to read about the journalistic processes of this up and coming group of reporters How do they function as independent journalists How do they formulate and choose their stories This follows one story gathering trip from an outsiders perspective, so it was very accessible I was particularly intrigued with the way technology influenced their methods YouTube, the internet, recorders There s a lot o Follows Glidden s journey with journalist friends of hers to the Middle East It s fascinating to read about the journalistic processes of this up and coming group of reporters How do they function as independent journalists How do they formulate and choose their stories This follows one story gathering trip from an outsiders perspective, so it was very accessible I was particularly intrigued with the way technology influenced their methods YouTube, the internet, recorders There s a lot of gear here Glidden also discusses what journalism is, ethics, and boundaries within the profession.We meet a military veteran who accompanied them he was a friend of one of the reporters Watching how the group interacted and that part of the story develop was really interesting too.There are definitely no solutions here But reflecting on the experience of reading it reminds me how many of our fingers in the world we amerikans are neglecting while we deal with all the turmoil at home.I read this on my breaks at work it does well in that context read over a fairly long period of time, in short snatches , kind of like an NPR podcast It s also bound in hard cover, and has a high quality binding, which holds up well Yay Drawn Quarterly Extra star for the unique elements in the story.Read with Out on the Wire Uncovering the Secrets of Radio s New Masters of Story with Ira Glass A Game for Swallows To Die, To Leave, To Return Dare to Disappoint Growing Up in Turkey 4.5 Oh how I long for half star increments More later this is complicated and important What is journalism How are stories retold Where do memory and truth meet These are some of the questions explored in this wonderful graphic nonfiction book This is timely read for our times, when there are unprecedented numbers of refugees and displaced people on the planet.The author is not a journalist, but goes along with two journalist friends and a former Marine, as they travel around Turkey, Iraq, and Syria trying to understand the effects of the Iraq War on the people who lived in the What is journalism How are stories retold Where do memory and truth meet These are some of the questions explored in this wonderful graphic nonfiction book This is timely read for our times, when there are unprecedented numbers of refugees and displaced people on the planet.The author is not a journalist, but goes along with two journalist friends and a former Marine, as they travel around Turkey, Iraq, and Syria trying to understand the effects of the Iraq War on the people who lived in the region This book is an exploration of the questions above The muted watercolor art is lovely and works really well The death of mainstream journalism is not news to anyone, and I for one am much heartened to see that there are still people who work hard at telling stories that affect, and should matter to, all of us An Intricate Investigation Of How The Reality Of Conflict Gets Filtered Through Personal, Political, And Journalistic NarrativeThis Work Quiet But Challenging, Plain Yet Beautiful Exemplifies Glidden S Skillful, Sensitive Reportage Library Journal Starred ReviewCartoonist Sarah Glidden Accompanies Her Two Friends Reporters And Founders Of A Journalism Non Profit As They Research Potential Stories On The Effects Of The Iraq War On The Middle East And, Specifically, The War S Refugees Joining The Trio Is A Childhood Friend And Former Marine Whose Past Service In Iraq Adds An Unexpected And Sometimes Unwelcome Viewpoint, Both To The People They Come Across And Perhaps Even ThemselvesAs The Crew Works Their Way Through Turkey, Iraq, And Syria, Glidden Observes The Reporters As They Ask Civilians, Refugees, And Officials, Who Are You Everyone Has A Story To Tell The Iranian Blogger, The United Nations Refugee Administrator, A Taxi Driver, The Iraqi Refugee Deported From The US, The Iraqis Seeking Refuge In Syria, And Even The American MarineGlidden How To Understand Israel In Days Or Less Records All That She Encounters With A Sympathetic And Searching Eye Painted In Her Trademark Soft, Muted Watercolors And Written With A Self Effacing Humor, Rolling Blackouts Cements Glidden S Place As One Of Today S Most Original Nonfiction Voices This review has been hidden because it contains spoilers To view it, click here I rate this book 2.5 because I have mixed feelings about it I was surprised by Glidden s language at times including when she calls Syria a refuge even though millions are fleeing the country On page 225 Sarah S says And like I ve told you, my whole job is that whatever people want to say, they can say it to me I m not going to make them say anything Unless they re big, mean, bad guys And you re not a big, mean, bad guy Yet for most of the book Sarah S has been trying to get Dan to o I rate this book 2.5 because I have mixed feelings about it I was surprised by Glidden s language at times including when she calls Syria a refuge even though millions are fleeing the country On page 225 Sarah S says And like I ve told you, my whole job is that whatever people want to say, they can say it to me I m not going to make them say anything Unless they re big, mean, bad guys And you re not a big, mean, bad guy Yet for most of the book Sarah S has been trying to get Dan to open up On 195 she says if I can get him to embrace some of the uncertainty It s almost as though a denial of the manipulation and agenda pushing side of journalism is essential for the book even as readers witness this occurring On page 230 Sarah S actually talks about how someone changed in a good story and she is upset that she hasn t seen that happen with Dan Dan s opinions are complex and have been from the beginning, and yet Sarah S still has comments she wants to hear from him On 240 she makes it clear that she wants to see him change Apparently he can t just have his own feelings and thoughts they have to be worth something on paper Does Glidden not see this Or does she not see pointing this out as part of her role as supposed journalist of the journalists Personally, I think Dan is right to question whether Sarah S wants him to take personal responsibility for the war because at times she really seems to be driving at that I wonder if Glidden s point was just to record If so, then she succeeds because I came away from this book with less respect for Sarah S, and that s likely tricky for Glidden s conscience as a friend We may disagree with Dan, but trying to force an experience to change his mind does not seem like ethical journalism to me Recording that experience in a book on journalism really makes me question Glidden s role That question, however, I find compelling It s as though there are parallel narratives of denial Sarah S keeps saying Dan is hiding how traumatized he is from war and Glidden keeps saying Dan isn t her subject yet 2 3 of the book is about him and Sarah S s interviews with him There is one page of Sarah S acknowledging her conduct and then quickly justifying it because most of my peers don t even engage with any of this stuff at all 280 I seriously question her detachment in the last line of the book Ultimately, I feel the same way about this book as I do about Eve Ensler s Vagina Monologues there are significant problems with voice, privilege, and missing narratives, but it s a useful introduction for people new to the discourse I do have to say that I love Glidden s watercolours and even with my reservations, I would read her work again It s courageous to portray your friends in a harsh but likely revealing light I think that I read this as narrative non fiction and I just really did not like or respect the protagonist Sarah S Glidden s refrain sums up my experience of this book it s complicated This was quite good Glidden accompanied a few friends, Sarah, Alex, and Jessica who formed their own journalism collective on a trip to Turkey, Syria, and Iraq to collect material for some stories dealing with the Iraq war and its aftermath Also along on the trip is Dan, an American Iraq War veteran who wants to see how the country has changed in the intervening years Sarah thinks there could be a story in his reactions and observations At the core of the book is the basic question of what This was quite good Glidden accompanied a few friends, Sarah, Alex, and Jessica who formed their own journalism collective on a trip to Turkey, Syria, and Iraq to collect material for some stories dealing with the Iraq war and its aftermath Also along on the trip is Dan, an American Iraq War veteran who wants to see how the country has changed in the intervening years Sarah thinks there could be a story in his reactions and observations At the core of the book is the basic question of what journalism is in the first place.The book is brimming over with observed detail Glidden recorded as much conversation as possible on the trip, and did her best to faithfully include as much actual dialogue as possible when creating this graphic novel She includes annotations on specific panels where the dialogue is NOT from her original recordings or notes Her style is deceptively simple Unlike some comics journalsts Joe Sacco, for instance she doesn t double down on artistic detail, preferringof a clear line approach She has a very warm, inviting style using ink and watercolors The reproduction in this book is good enough to see the texture of the paper her originals were created on though I guess I shouldn t rule out some sort of digital effect I read a lot of comics, but know comparatively little about specific artistic techniques I just know this book looks gorgeous My first reaction to her style was, Syd Hoff though, really, her style isn t THAT minimal It may haveto do with her coloring than the art per se.I m also apparently unable to read the title without hearing Adele singing, Rolling in the Deep, in my head, so I m kind of glad to be done with it so I won t be seeing the cover on the table next to my reading chair anyI really liked this book I especially appreciated the insider s look at what goes into researching and developing a good piece of journalism You can bet that I will be keeping an eye out forSarah Glidden books in the future Highly recommended

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